Synopsis
Far from technicalities and stereotypes, this book focused on the analysis of the most important feature films from the point of view of the relationships between photography, cinema, history and storytelling. A narrative path on a reasoned filmography, to reflect once again on the infinite possibilities of the gaze.
Attachments
Maurizio G. De Bonis
Cultural journalist and photography critic, he's secretary of the Sindacato Nazionale Critici Cinematografici Italiani (SNCCI) and president of Punto di Svista. He's director of Cult Frame magazine and the online magazine CineCriticaWeb. He's been curator for several photographic exhibitions in Rome at GNAM (National Gallery of Modern Art), Palazzo delle Esposizioni, Officine Fotografiche, and private galleries. He teaches in the Journalism Master of the Accademia d’Arte Drammatica Silvio d’Amico (Rome) and in the Visual Art course of the Istituto Superiore di Fotografia e Comunicazione Integrata (Rome).
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