with essays by Laura Moro, Aldo Colella, father Andrea Dall’Asta, Monsignor Giancarlo Santi and a conversation between Daniele De Luigi and the photographers

Postcart / ICCD series
2014, Hardcover
Bilingual: Italian / English
30x24 cm, 64 pages
ISBN: 9788890507250

€ 20,00
  • Sold out Sold out Sold out

An unprecedented survey of post-conciliar Italian ecclesiastical architecture. Within the documentary tradition, the photographers characterize in an original way their research through the choice of setting the shot according to a fixed canon, creating a single image for each church that always assumes the same point of view (that of the priest from the altar) and is performed at a very precise moment (that of the sacred function).

  • Download the PDF sheet Download the PDF sheet Download the PDF sheet

Giorgio Barrera
Works with photography, video and writing. His research is focused on the analysis of visual languages, the creation of imaginaries, on the relationship between reality and subjectivity. His approach has always been aimed at creating a direct relationship with the viewer and at considering art a useful tool for understanding reality. He was assistant to Joel Meyerowitz and won, among others, the Baume & Mercier, Canon, FNAC awards. He has collaborated with various Italian Cultural Institutes, with Mibact and other institutions and galleries. He has published an essay entitled La battaglia delle immagini which introduces a creative form of media activism to be realized with images. He is one of the founders of the art collective Fotoromanzo Italiano. He is currently making a documentary on the VAIA storm and a research about the use of colors in the architecture of Edoardo Gellner, both in residency at Dolomiti Contemporanee. Teacher at the BAUER school in Milan, he is curator of Anatomy and dynamics of a territory photographic and relational seminars in collaboration with the University of Padua. He is interested in biodynamic agriculture and the processes of nature.

Niccolò Rastrelli
(Florence, 1977) Graduated in photography at the Studio Marangoni Foundation in Florence after attending the three-year course. Since 2004 he has lived and worked in Milan, combining personal research with professional commissioned projects. He collaborates with magazines such as Io Donna-Corriere della Sera, Sportweek, Panorama, Maxim and creates commercial projects for Pirelli. His photographic research focuses on people and the manifestation of their identity. In 2004 he won the Fotoesordio photographic competition with the work Maschere. In 2011 he was among the finalists of the Photodreaming competition with the project Dance Hall.